BLAKKANVAS.STUDIO
  • STUDIO
  • DISCORD

our existence- our human existence

11/17/2021

2 Comments

 
Bell Hooks expresses her observation on how the technology of a camera increased her awareness on the importance of visual documentation in spaces of those who experience blackness.

I consider image making in this contemporary time and I reflect on the amount of people who experience blackness and their aggressive desire to not only develop, but increase their digital footprint with videos and photos. With an understanding of erasure and disbelief, images have been used to not only document historical ancestry, but as a tool for those who do not believe in our existence- our human existence.
​


Picture
Self Portrait, 2021


Hooks mentions a struggle for representation- I too, see the advocacy for “good” representation- countered with “bad” and the trivial discourse that I find myself participating in as well. Ultimately, true-life or the imagination of blackness has always found a way to become saturated by the “white imagination” which actively decides to reel back and maintain the foundation of imposed frameworks: not limited to archetypes and grotesque projections.

Sometimes, I feel as though the digital space many of us occupy, has become so contorted, that the idea of granting radical difference to self and acknowledging the complexity of “black life,” is dismissed for the fantastical, or for the lack of innovation in the “reel”. Critical consideration I believe is needed in order to reflect on moments that bring many of us back to times where images occupied spaces in intimate settings that lent themselves to storytelling. 
​

Picture
I grew up with so many photo albums. One night, my sister and I spent 6 to 7 hours organizing by dates and events so that we could go back chronologically. This was before the iPhone could do it for us. I typically print my photos from my phone every two to three months to ensure I do not lose my images to the cloud. 

Although I integrate digital and physical spaces, I still am a firm believer in cultivating a tangible practice- texture and time expose images and videos alike, which reflect time periods and moments better than any digital render- 

Picture
Self Portrait and Still Life, 2021
Because of the conditions bestowed yet actively not received by those who experience blackness, the camera became political but is not inherently political. Ideas of being non-human, monsters, aliens, or being violently preyed upon have been countered with photographs and videos- leveraging as data to counteract projections and tales- to prove a complexity of a people with perspectives worthy of not only privacy, but also exposure- personally, I am interested in coming to a point of no longer proving, or begging to be believed- but radically grooving a foundation of BEING. 

Hooks is exploring what Arthur Jafa calls, “ontological integrity,” the matter of factness of being and existing- whether it be agreed with or disagreed with, it’s existence is not reliant on outside propositions - it just is what it is. And I believe that is something I consistently embody in my process, practice, and daily life- photos can do this.
Picture
Self Portrait, 2021

In Our Glory: photography and Black Life by Bell Hooks
bellhooks_glory.pdf
File Size: 742 kb
File Type: pdf
Download File

2 Comments
khamal. link
11/17/2021 04:38:26 pm

I thoroughly enjoy and find intrigue in the connection you make between hooks and jafa on the subject of ontological integrity I’ve also rarely considered the political implications of the camera maybe because the very forward nature of what is typically produced by a camera I really enjoy the composition of the second photo and I find infinitely cool to have a picture within a picture and not have it be the focal point.

Reply
Suni Mullen link
11/17/2021 05:11:47 pm

Before I heard Jafa mention it, I don’t think I ever considered work in this way. Hooks does a great job of putting into perspective how the camera can be navigated and used/ has been used- I thought to incorporate images of myself from a prior project and I feel they landed in conversation well- if they don’t translate, they’re still fun to include, I think.

Reply



Leave a Reply.

    A SUPPORTED OPINION PAGE:

    providing commentary, posing questions, inviting thought, critically thinking.

    Suni Mullen for BLAKKANVAS.STUDIO


    Listen to
    "HIGH CHROMA," a podcast cultivated by Suni Mullen

    Recent Articles

    December 2021
    November 2021
    October 2021
    September 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • STUDIO
  • DISCORD